Eighteen hotels · four sections

A building decides how often you meet other people

That decision is drawn in the plan, and we read it there: the places everyone crosses, and the routes that keep guests apart.

A list of facilities tells you what a hotel owns. The plan tells you what your two nights will feel like: whether you pass the same faces at the stair every morning, or reach your door without seeing anyone. That is a property of the drawing, not of the staff or the season, and it is the one thing we read on every page. More on the method in Reading the Plan.